The 7 Deadly Sins of Podcasting

Related

  • You Should Create a Private Podcast

    I remember the first time I went to an honest to goodness speakeasy. A few of my coworkers, my boss, and I were in Philly at a local cigar bar. It was 1AM and the bar was closing; we wanted to soldier on, though (this was before I had kids).

    So my boss asked the bouncer at this cigar bar what we could do next. He may have slipped him a $20.

    I kid you not: he looked around, then looked at us, and said, “come with me.”

    He walked us around the corner to this other bar. He said something to the guy at the door, who let us in, told us to go down the stairs, and then told us the password.

    “Bread basket.”

    The rest of the night was an incredibly memorable experience. How could it not be? We were in a secret part of the bar that had maybe a dozen other people in it.

    That’s the power of exclusivity.

    And while a private podcast may not be as novel as a speakeasy, you can still create a great, unique experience.

    Podcast Advent is presented by The Unstuck Sessions. Want to start 2025 off on the right foot? What if you had an expert ready to give you the exact steps you need to take to get unstuck — in your podcast, your business, and your process? You can with the Unstuck Sessions. Get the most valuable part of my coaching at an incredibly affordable price. Get Unstuck Today.

    What Exactly is a Private Podcast?

    Let’s get this question out the way first: what is a private podcast?

    Simply put, a private podcast is one that isn’t available in public podcast directories. It needs to be distributed directly to the listeners by the podcast owner.

    This usually means a unique URL for each listener, but it doesn’t have to be. It just means that the URL isn’t publicly available.

    We’ll talk more about that in a bit.

    Why You Should Start a Private Podcast

    Based on conversations I’ve had, many think private podcast = paid, members-only podcast.

    But I think there are a few really great use cases outside of having a paid podcast for members-only.

    An internal, company-wide podcast. This is a good way to send out company dispatches and updates, and can replace older, more expensive forms of company comms, like WebEX or morning-long meetings.

    When I worked in higher ed, a coworker and I played a fun game called, “how much money is the university wasting for us to be in this 4-hour, department-wide meeting?”

    It was too much money.

    This could also offer an opportunity for more frequent Q&As from employees outside those (typically quarterly) meetings.

    For Coaches, Creators, and Solopreneurs

    Supplementing (or replacing) a class or course. For lessons that don’t rely on visuals, you can release the full lessons via a podcast feed. I also know some teachers who record and release their in-classroom lectures.

    This can work great in a proper flipped classroom, where students listen to the lectures for their homework and then in class work on actually problems.

    Async Coaching. This one is a little more bespoke, but coaches can record and release advice, answer questions, or in a group coaching setting, release the lectures/presentations ahead of time and use the full live meeting for Q&A.

    I’ve seen this used in group and 1-on-1 coaching. In group coaching, this can work extremely well.

    If you only take on a limited number of 1-on-1 coaching clients each year, this can be a really nice personal touch, though I suspect there are better tools for this specific use case.

    Lead Magnets. I’ve also seen private podcasts used as lead magnets and supplemental speaker/talk resources.

    I’m currently experimenting with one called Joe’s Audio Notes. It’s free but requires email opt-in.

    They are essentially a delivery mechanism for any gated content, free or paid.

    In each of these instances, it gives you a relatively low-effort way to deliver a ton of value to your audience, customers, or employees. It allows you to share generously without needing to do the high production value stuff necessary for a public podcast.

    The great thing about a private podcast is the people joining have already bought into you and what you offer.

    How You Can Deliver a Private Podcast

    So if you do want to deliver a private podcast, what should you do?

    When it comes to gear, I’ve already outlined how I do my private podcast from my phone. Of-course, this fits in with the vibe of the podcast, which is behind-the-scenes stuff delivered via voice memos.

    As you consider what gear you’d need, think about the vibe you’re going for. If you want it to feel like an extension of your public podcast, you should use the same setup. If you want it to feel more like a course, something on the “professional setup” side of the spectrum would be better.

    But if you want something that feels more secret or personalized, you can probably go lower-tech.

    As far as getting the podcast in the ears of your members, here’s what you can do:

    An Unlisted RSS feed

    Countless creators do this with unlisted YouTube videos. They reasonably assume that their members won’t go sharing around the content they’re paying extra (or have otherwise opted in) for.

    You could use your podcast host to create a new feed and then just not submit it to podcast directories. You’ll just need to double-check two things:

    1. Your host allows multiple shows on the same account.
    2. It won’t automatically get submitted anywhere public.

    Just be aware that this is the least secure path. If someone shares it, you’d need to set up an entirely new feed.

    A Private Feed Through Your Current Podcast Host

    Several podcast hosts specifically offer private podcasts. There are numerous benefits to this:

    1. Everything is in one account
    2. The host has made it explicit that the podcast will remain private
    3. Each subscriber/customer/member gets their own RSS feed, which you can revoke or change

    This is a much more secure way to manage a private podcast — and you can generally choose to charge, or not (you’ll likely need a separate payment mechanism for that).

    I use my podcast host, Transistor.fm, for my private podcast. However, if you’re starting from scratch and know private podcasting is an important feature, Captivate has a more generous option as far as number of subscribers.

    If you do need a payment mechanism, Memberful is great for running paid memberships. They even have a fantastic guide on setting up a private podcast.

    A Dedicated Service

    Finally, there are dedicated services for private podcasts. Two fantastic ones are Hello Audio and Supercast. Both have private feeds and the ability to sell directly to your audience.

    Hello Audio appears to target creators, educators, and solopreneurs. Their plans start at $14/mo. Supercast is optimized for podcasters and larger companies selling memberships, and has a flat fee of $0.59/subscriber/mo.

    I’d imagine for most people, Hello Audio is better in the long run, unless you require some specific features that Supercast offers.

    What Will You Do?

    There are plenty of reasons, and ways, to offer a private podcast. I’d strongly encourage you to consider how a private podcast can help you — remember, it doesn’t just have to be about membership.

    Then consider what’s available, and choose what works best for you.

  • How the Trailer Park Podcast Got 10,000 Downloads in 6 Weeks

    Arielle Nissenblatt eats, sleeps, and breathes podcasts.

    • Her main job is with a podcast company.
    • Her newsletter is all about podcast curation.
    • She runs a podcast community on Discord.

    She loves podcasts so much that she, along with her co-host Tim Villegas, produce a podcast about podcasts. Well really, about podcast trailers specifically. It’s called Trailer Park.

    You might think that this is too niche, but they got 10,000 downloads in just a few weeks. Their outreach process was crucial to achieving that goal. Read on to learn how they did it.

    👉 In this issue

    • Why a super-niche podcast is the path to success
    • Spending some time in the edit can greatly enhance your show
    • Pitching and direct outreach is still the best way to grow your podcast

    Quick Stats

    Hosted byArielle Nissenblatt and Tim Villegas
    LaunchedFebruary 2023
    Number of Episodes112
    ScheduleWeekly, with Seasons
    FormatHost/Co-Host
    Time to Produce One Episode10 Hours
    Recording ToolSquadcast.fm
    Podcast HostAusha

    What’s Trailer Park About?

    Here’s how Arielle describes it:

    It’s a podcast that highlights podcast trailers. In each episode, we feature a trailer for a show that took one of the following paths: started off a seasons-long below, was made as a proof of concept, was made just for fun, or is stuck somewhere in the pre-launch phase.

    But it’s not just about highlighting the show. Arielle and Tim also talk about what worked well, offer constructive criticism, and say if they’d listen to the show based on the trailer.

    As for the goal of the show…back to Arielle:

    …help creators master the art of the audio teaser and to expose listeners to their next favorite show or creator.

    This is definitely a podcast for podcasters.

    So knowing that, let’s dive into the production process.

    Finding Trailers

    Arielle and Tim’s process for finding subjects…namely trailers to cover…is very similar to what I have set up for Podcast Workflows. Podcasters can submit their trailer, and then they listen to see what’s a good fit. Here are some of the questions they ask:

    • Is it interesting?
    • Is it complex?
    • Can critique without hurting feelings?

    Once they do find a trailer they like, they reach out to the creator to get a voice clip to use in the episode.

    One important aspect is that, as they say in their own trailer, it doesn’t have to be for a launched or successful podcast. “It can be for a podcast that never got made.”

    The only requirement is that there’s a trailer.

    This is a great move on their part because it makes the show super-focused, and super-niche:

    1. Their audience is creators and podcasters who want to create a good teaser for their content…a skill increasingly important in the age of clips and short form video
    2. Their potential content pool seems vast (over 4 Million podcasts), but they don’t need to spend time sifting through 4 million shows to find a good episode. They’re always looking for one episode — the trailer — and they can start with listener submissions.

    Your Takeaway: When you’re starting a podcast, or looking to improve your workflow, go narrow. It will help you focus on the content that matters most.

    Notes on the Trailer

    Once a trailer gets elevated to the status of episode topic, Arielle and Tim get to work on the episode.

    There’s a lot of debate between script, outline, or off the cuff, and on Trailer Park they use bullet points.

    I think this makes perfect sense for a host/co-host format where they’re offering critiques of any kind.

    A script feels too limiting here because they’re trying to have an insightful conversation, and some of the best points will come up organically.

    On the other hand, you don’t want to go in completely cold, fumbling for words and grasping at straws. Bullet points help the two hosts get a heads-up on the general topics, while offering enough flexibility to go off the cuff when needed.

    It’s important here that Arielle and Tim have good chemistry (which they do) since they’re playing off each other’s points and adding to an ongoing conversation.

    If these were just a single host, a script might be a better way to go to tell a better story. But that’s also an entirely different format where you need to add some dynamic element to the show without another person there to help.

    Recording and the Editing Volley

    After their notes, Arielle and Tim record together using Squadcast. Using the bullet points, which they create using a template, they run through everything they want to hit in the show.

    This includes any promos, recaps of previous episodes, what to expect, sponsors (which they feature prominently, but in my opinion, not intrusively), and of-course, the trailer.

    And while they could just call it a day right there, export the recording and call it finished, they spend a bunch of time editing the show.

    I’ve seen the statistic that for every 1 hour of finished content, it takes 4 hours of work.

    But Trailer Park’s episodes are 9–12 minutes (with the full trailer they’re covering) and it takes 10 hours of work. That’s about 4x longer. Why?

    If I were to guess, I’d say the finding and critiquing the podcasts take around 2 hours at absolute most. The combination of Arielle’s encyclopedic knowledge of podcasts and the fact that trailers innately are short means there’s not a huge time commitment there.

    Even at 3 minutes, 5 listens = 15 minutes. Then let’s say about 45 to organize thoughts into bullet points2.

    My guess is the lion’s share of the production time goes to editing. Here’s how it works, according to Arielle:

    Tim handles the initial cuts, then Arielle goes through with a fine tooth comb, hands it back to Tim, and he adds music and [sound effects]. Then, we go through a few more rounds before settling on the final draft.

    The edit is important for any podcast, for sure. But when you’re trying to create a show that’s as punchy and informative as the content you’re critiquing, you want to spend a lot of time in the edit to make it rock solid.

    For example, in the Crucial Fewsion episode, they move quickly between the recap, promos, actual trailer, and notes, before moving to what to expect next. Without audio cues and proper editing, it would be easy to get lost, or even worse, bored.

    Your Takeaway: Editing is more than just removing ums and barking dogs. You can change the feel and pacing of the show. As long as the content is there, editing can greatly enhance your podcast. Just look at what it did for Star Wars.

    Publishing and the Call to Action

    Once the episode is done, Arielle and Tim upload the episode themselves to Ausha, their podcast host.

    For episode notes, Arielle said:

    We use a template! We share a bit about the trailer, include links, and make sure to highlight our sponsors prominently. We write them within Ausha.

    Here’s what they look like in Pocket Casts:

    The use of a template is crucial here, especially since the show had several sponsors and a season-long giveaway.

    You can use a simple Google Doc that you make copies of, or use a tool like TextExpander if, like Arielle, you prefer to write directly in the podcast host’s editor.

    Another important aspect of a template for notes is the call to action. On the Trailer Park Podcast, the CTA is to submit your trailer.

    They make sure to include this link, as well as mention how to do it on the show.

    Your call to action should be prominent and obvious. If I had one critique for this show, it would be that there are several CTAs…but that’s not necessarily unique to this podcast3, and they benefit from the main CTA being precisely what the show is about!

    Reaching 10,000 Downloads in 10 Episodes or Fewer

    One of the most interesting aspects of the Trailer Park show is that even though it’s so niche, it grew pretty quickly! During an interview on the Grow Your Show podcast, it came up that they reached 10,000 downloads in just a few weeks. Let’s look at what is, and what’s not, a factor in that growth.

    Video is something more podcasters are recording and releasing. Since Arielle and Tim record with Squadcast, they have the option to record with video, and they do!

    However, they’re not doing anything with that video at the moment. Instead, they’re making use of tools like Recast Studio (one of their sponsors) to create audiograms:

    They share this content on Twitter, Instagram, and LinkedIn, but social media isn’t where I think the magic happens.

    Instead, here’s what Arielle shared about their efforts to promote the show:

    Social media, pitching ourselves as guests on other podcasts, writing blog posts for other outlets that link back to the show, pitching our show to podcast newsletters, pitching ourselves to be featured on apps.

    You can see there’s a lot of pitching and direct outreach. In-fact, I heard about the show because Arielle, who’s subscribed to my newsletter, asked if I’d mention it to my audience (which I gladly did).

    Your Takeaway: Social media shares are fine, but they aren’t a growth strategy. Instead, identify other podcasters, blogs, YouTube channels, and newsletters that align with your show’s mission, and ask them to share it with their audience.

    Where They Can Improve

    Podcasts are a constant work-in-progress. They should be iterative, and improve based on feedback.

    The Trailer Park podcast is no different. When asked, Arielle said, “We could always spend more time on promotion.”

    This is almost assuredly true for every podcast…or at least most podcasts. If you, like Arielle and Tim, spend a lot of time creating the content, the last thing you likely want to think about is promotion.

    Likely they have the tentpoles in place to be able to do this well:

    1. They’re recording video, which they can repurpose for Instagram and YouTube
    2. Their sponsor, and one of the tools at their disposal, is Capsho, which will transcribe episodes and create Twitter threads, LinkedIn posts, and a newsletter draft
    3. They are helping creators, who are often willing to share content they’re a part of

    But going back to their playbook, direct outreach is a fantastic way to promote the show. Talking to the creators in their network, the creators they cover, the tools they cover, and doing podcast swaps are ways to expand their reach.

    As they gear up for Season 2, they can make it another big launch — one of the benefits of seasonality — reaching out to previous outlets, as well as new ones for coverage.

    As an aside, they also mentioned that they’re behind on publishing some bonus episodes. Another benefit of seasonality is bonuses can drop when they’re ready!

    Using The Trailer Park Podcast to Improve Your Podcast Workflow

    So, what are the biggest and best takeaways from how Arielle and Tim produce, publish, and promote the Trailer Park podcast?

    Pick a Narrow Niche

    Go narrow on the niche of your podcast. It will help you focus on the content that matters most. You can always expand or change based on feedback.

    Instead of choosing to interview business owners, make your show conversations with solopreneur parents who are building a business around family life.

    Your podcast’s mission statement can inform and assist in the direction of your content here, and keep you focused.

    Make the Edit a Priority

    Editing is more than just removing ums and barking dogs. You can change the feel and pacing of the show.

    Arielle and Tim record their conversation, but bring in plenty of other elements, like interstitial music, sound effects, soundbites, and commentary from the podcaster.

    If you’re going to spend a lot of time on your podcast, do it here and leverage automation and delegation to do the rest.

    What are some small, incremental changes you can make for the next episode of your podcast? Figure out 2–3 things that can turn your show from a meandering conversation to a punchy, attention-grabbing story.

    Ask for the Share

    Social media isn’t a growth strategy. Direct outreach is a tried and true method for growing your podcast.

    Reach out to similarly aligned websites, podcasts, newsletters, and YouTube channels to see if they’re willing to help you promote your show.

    You could always do podcast swaps or other trades. That’s why it’s important to find outlets that align with your goals and mission. You could also experiment with paid placement.

    Either way, remember that most people aren’t just going to share your podcast. Reaching out and asking for the share can help you grow more quickly.

    Offering to create unique content also works well. It’s more work for you, but it allows you to stand out more than just a backlink or mention. You have the opportunity to give a new audience a taste of what they can get from your show.

    The simplest way to get started with this is to use Google Sheets, Notion, or my personal favorite, Airtable, to keep a list of people and places to reach out to. Track when you reached out, when you need to follow up, if they accepted, and when your promo, article, or mention went live.

    1. At the time this was published.
    2. I don’t know exactly how Arielle and Tim work, but if it were me, I’d likely listen 2-3 times, making notes the entire time, and spending about 25 minutes organizing them after.
    3. I’m guilty of it too
  • The Ghost of Podcast Past: Year 1 vs. 8 of my Show

    I hope you don’t mind if, for this Friday before Christmas, you’ll allow me to wax poetic about How I Built It, as we’re in its 8th year of existence.

    The next two days will look towards the ghosts of podcast present and future, so I thought today I’d explore the ghost of podcast past (well…at least one podcast).

    The point of The Ghost of Christmas Past from A Christmas Carol was to show Ebenezer Scrooge how he got to where he is today. So let’s do the same thing for How I Built It.

    When I set out to create How I Built It, I didn’t know much about podcasting. The lessons I learned were from a podcast of poor quality I started at the end of 2012, that ended toward the beginning of 2013.

    Heck, my friend Jackie had to remind me that I couldn’t just host my audio files in my WordPress site.

    But I still thought I had a great idea. Here’s how I positioned How I Built It back then:

    Asking for help and learning from others is such a valuable and important aspect of our world. Sharing and telling stories is something I love to do. On How I Built It, I interview product owners and developers to see how they built specific products, from idea to execution.

    The goal was a good one: tell good stories that didn’t often get told. Those of inception, failing, hard work, and eventually, success.

    In 2016, a podcast with good audio quality that wasn’t about Apple was in-fact, a differentiator.

    It hit 50,000 downloads in the first 9 months, and 100,000 shortly after. It was already generating 5 figures for me.

    So at the 1 year anniversary, I started getting questions about what I was doing to be successful.

    I wasn’t really sure — or at least I wasn’t making a conscious effort to grow the show. But after some reflection, here’s what I came up with:

    • Keep it around 30 minutes. Attention spans are short, so short and focused conversations go a long way.
    • Be consistent. I release every Tuesday at 3:00am ET. This schedule not only lets my listeners know when to expect new episodes, but it helps me normalize my stats. I know how each episode does because I have some anchor information to point to.
    • I’m obsessed with quality. There’s a bottom to audio quality. Anything above that is good, but I try to go the extra mile. I have good recording equipment and I asked my guests to record locally so that I can splice the 2 best-quality tracks together and not have to worry about interruptions or drops in internet service.
    • Good content! I prep myself and my guests prior to our interview, which is not live. This leads to better content overall. My guests are awesome too, of-course.

    This advice aged surprisingly well. My episodes have creeped up to 45-50 minutes, but consistency, good quality, and good content go a long way in making your podcast stand out, even 7 years later. After all, around the same time, Seth Godin described podcasting as, “the generous act of showing up.”

    I think the only thing I’d add today is to have a clear mission statement — know who you serve, and how you serve them.

    When my listenership started to dip 3-4 years in, it’s because I lost my way. Much like Scrooge, I forgot what my podcast was really about, and why people listened to it.

    Luckily, it didn’t take me the rest of my life to realize the error of my ways.

    I course-corrected, and saw incredible growth. Now I get more downloads in a month than I got in those first 91.

    So what can you learn from this? No matter what trends come and go — TikTok was just starting when I launched my podcast — a dedication to quality is timeless.

    Tell great stories, produce quality audio, and serve an audience that needs service. Keep your content focused.

    You may not see viral success, but you’ll have sustained growth with an engaged audience.

    At least, that’s what my ghost of podcast past has taught me.

    1. And while I don’t think downloads is the best metric for podcast success, it’s the one that gives me the best look from a historical standpoint.
  • We Need to Talk About Editing (Even if You Don’t Want to Hire an Editor)

    I’ve been having countless conversations about how people can improve their podcast workflows, and far and away the thing that people say they spend the most time on is editing.

    The good news is that this is the easiest thing to save time on. The bad news is it requires financial investment in your show.

    You need to hire an editor. For most podcasters, there’s little to no benefit to editing your own show long term. Sure — maybe the first couple so you know how you want to edit…maybe.

    But hiring an editor will free up SO much of your time, and the person you hire is almost definitely better than you.

    This is a hill I will die on.

    But I also can’t force people to spend money if they don’t want to.

    Plus, I recognize that there are people who want to podcast, but cannot afford to hire an editor. I would like to make this clear: if you’re a student, hobbyist, or just killing time, I’m not talking to you.

    I’m talking to people who are investing in their podcast because they see it as a way to support their business, build their authority, or otherwise make money.

    So what do you do if you want to save time, but also want to continue to edit your show?

    Here’s what I recommend.

    Oh…and the best part about these tips is they work if you’re editing, or you end up hiring an editor.

    Do Pre-Production Work

    You know how you can save in the edit? Put more time into pre-production. Think about the format and flow of your episode.

    What makes editing such a crucial task that we can’t skip altogether is this: your show is nothing if it’s not great content.

    And very few people can create great content in one, unedited take.

    If you’re doing a solo episode, create a detailed outline, or a full script to nail down the content before you record so you don’t have to edit as much after.

    If you’re doing an interview, think about the main thing you want your audience to learn from your guest and tailor the questions to that goal. Then share those questions and the general flow with your guest.

    This allows both of you to be sharp, and hopefully not go on too many tangents.

    You also want to make sure your guest is using a decent mic, and headphones. Having no headphones degrades quality — even if the recording tool accounts for it.

    Either way, though, you’ll need to do some editing. So what about production and post-production?

    Take Good Notes During Production

    This tip is going to take some practice, but I highly recommend taking notes during the recording.

    They don’t have to be super advanced, just 1–2 words with an approximate time stamp. My notes will often look like this:

    1. EDIT 8:53 CLAP
    2. EDIT 13:21 over-talking
    3. EDIT 32:12 dog story
    4. COLD OPEN? 12:34
    5. CLIP? 24:56ish

    When I make these notes, it means I don’t need to listen to the entire episode again to see where I need to edit — which is the point. A clap into the mic, which creates a long skinny line on the audio file, also works, if you know for sure you’re making an edit.

    You can use these when you get to the edit — or, like I do, include them in the edit notes to my editor.

    As you get more comfortable, you can start taking more notes on how you want to write the description, top takeaways, things to follow up on, and more.

    Though I will admit one growing pain for me: with solo episodes, it’s easy to cut out pauses as I take notes.

    With interviews, we do a split screen, and I run the risk of appearing like I’m not paying attention to my guest when they’re speaking.

    Use Descript in Post-Production Editing

    A project using Descript for Editing

    This isn’t sponsored by Descript, and they don’t know I’m writing it (though there is an affiliate link).

    I also sometimes feel like Descript is difficult to use, especially when it comes to multitrack editing. But I could also just be old, and set in my GarageBand/Logic Pro ways.

    I think Descript is great for most basic editing. It has some nice clean-up tools, and when the notes you took during production, editing for content should be a breeze.

    The way I use it is usually after I get the final version back from my editor.

    I’ve been trying to keep my episodes to around 35 minutes, and while I’m not a giant stickler about it, if it comes back long (let’s say over 40 minutes), I’ll use Descript and my notes to see if there’s anything I can cut.

    Text-based editing is an actual game changer for most podcasters, and while tools like GarageBand and Audacity are free, using Descript instead (or with them) can lead to consider time saving.

    Star Wars was Saved in the Edit

    There’s a well-worn story in the Star Wars universe that the raw footage for the first Star Wars movie wasn’t good. There were too many pointless scenes, the story didn’t flow, and events seemed out of order.

    But the editing team, which included George Lucas’ then-wife Marcia, saved the movie. They improved the movie but cutting scenes that didn’t work, and restructured the story.

    Star Wars, nearly 50 years later, remains one of the most beloved franchises in movie history.

    I recognize, as podcasters, we aren’t making the new Star Wars (probably). But investing — in some way — in editing can elevate your podcast to help you reach new audiences, and new heights.

    Featured Photo by Avel Chuklanov on Unsplash

  • Joe’s Audio Notes: My Free, Private Podcast Experiment

    I don’t subscribe to the “Butterfly Effect” — the aspect of chaos theory that some event so small, like a butterfly flapping its wings, can have profound effects on the trajectory of our world.

    However, I do love it when a plan comes together as a series of events collides.

    Over the course of 6 days, several events happened that led me to a new experiment I’m trying.

    Read More “Joe’s Audio Notes: My Free, Private Podcast Experiment”
  • Is it Time for Podcasters to Embrace Video?

    You may or may not be familiar with British technology journalist Ian Betteridge, and his law of headlines. If you’re not, Betteridge’s Law of Headlines states, very simply:

    Any headline that ends in a question mark can be answered with the word ‘no.’

    The idea is that if the writer had enough evidence to make the case, they wouldn’t state the headline in the form of a question.

    This is absolutely true in my case. I don’t feel I have enough evidence to definitely state, “It’s time for podcaster to embrace video.”

    However, late-November Joe felt he did. Over on Bluesky (and other social networks), I made the case based on some recent research from Edison Research.

    I’m going to recreate that argument here, and then talk about why I’ve softened my stance in the intervening weeks.

    Why You Need to Embrace Video

    Friends & fellow podcasters: It’s time to embrace video. Especially if your audience is Gen Z.

    According to Edison Research, 31% of weekly podcast listeners age 13 and up choose YouTube as the service they use most to listen to podcasts. It gets more interesting though (emphasis mine):

    We uncovered in the Gen Z Podcast Listener Report that 84% of Gen Z monthly podcast listeners ever listen to or watch podcasts with a video component. For this younger audience, the ability to watch their favorite podcasters, not just listen, adds a layer of engagement that traditional audio platforms lack. Forty-nine percent of Gen Z monthly podcast listeners say video provides a better understanding of context/tone through facial expressions and gestures, while 45% feel more connected to the podcaster(s) through video podcasts. The preferences of the Gen Z demographic are redefining the podcasting landscape, and YouTube is uniquely positioned to cater to their habits.

    Connecting with the audience is the entire ballgame in podcasting, and almost half of monthly listeners say they feel more connected with video.

    So if you’ve been resisting adding a video component to your podcast workflow, now is the time.

    Beyond Gen-Z preferences, there are a few practical reasons to consider video:

    1. YouTube’s Algorithmic Discovery: Most podcast apps don’t have a recommendation engine, but YouTube’s algorithm is unmatched in helping people discover content they didn’t even know they were looking for.
    2. Engagement Tools: YouTube’s built-in features—likes, comments, subscriptions—make it easier for listeners to interact with your content.

    These are significant advantages that traditional podcast platforms don’t offer.

    So…why the hedge? Well, after I posted this opinion, some friends in the podcasting space surfaced some reasonable objections.

    Podcast Advent is presented by The Unstuck Sessions. Want to start 2025 off on the right foot? What if you had an expert ready to give you the exact steps you need to take to get unstuck — in your podcast, your business, and your process? You can with the Unstuck Sessions. Get the most valuable part of my coaching at an incredibly affordable price. Get Unstuck Today.

    Can Edison’s Data be Trusted Here?

    James Cridland, Editor of Podnews, posted this on Bluesky:

    Still finding it hard to understand these surveys. “Lots of people have listened to one podcast on YouTube recently” doesn’t mean it’s #1 for podcasting. Just that it’s being occasionally used to listen to a podcast, surely. The numbers are public – and they’re simply not there.

    James Cridland (@james.crid.land) 2024-11-20T21:39:48.870Z

    But even if the numbers aren’t as stark, the reach is still really good, right? Danny Brown of Captivate makes this counterpoint:

    https://bsky.app/profile/dannybrown.me/post/3lbiiemm4lc2l

    While I’d be curious to see if the attention span really is shorter for video than audio — I know I’m more easily distracted when I’m listening to audio only — it’s still a valid point. Reach doesn’t mean engaged listener.

    Neil Veglio, a veteran podcaster and consultant who does not pull punches, makes a similar point to that of James and Danny:

    I think what everyone has twisted around this is how discovery is somehow 'awesome' on YouTube and not great on podcast apps. Anyone who claims this, in my view, simply doesn't know how to optimise an audio podcast for search. It's not easy, and it's a long game, but it's very possible.

    Neal Veglio (@podknowsneal.podknows.co.uk) 2024-11-22T08:00:52.735Z

    I bring these up because I think it’s worth questioning both Edison Research’s data, and the increasingly popular opinion that you need video for your podcast.

    So where do I stand?

    Video can Help, and Probably Won’t Hurt

    Let me start by saying that I used to be anti-video for podcasts. I thought it added too much work for most podcasters, and just watching two people talk wasn’t compelling video.

    Then I noticed a shift in my habits. I started watching podcasts I traditionally listened to — usually during lunch or while I’m killing time on YouTube anyway. I enjoyed seeing the reactions of the hosts, or getting some additional context with visuals.

    Furthermore, I started releasing video for my podcast a few months ago when my editor added it as a service. I was already recording it, so I figured it wouldn’t add much more work to have it edited.

    It didn’t add any work for me, except for publishing the video to YouTube instead of having a video auto-generated.

    But there’s something else too. Currently, it’s anecdotal, but my coaching clients and friends have pointed out that while listenership isn’t as big on YouTube, engagement is better. People comment and like more on YouTube than sat, reviewing or going out of their way to write in.

    Despite my earlier skepticism, I now believe that adding video to your podcast could be worth the effort, especially if:

    1. Your Audience is Gen-Z: Their preference for video is clear.
    2. You Value Discovery and Engagement: YouTube’s tools are unmatched for connecting with listeners.
    3. Your Workflow Can Accommodate It: If video doesn’t add significant work, it’s a low-risk experiment.

    That said, I understand concerns about YouTube’s walled garden. It doesn’t integrate well with podcast analytics and prioritizes keeping users on its platform. But for podcasters, meeting your audience where they are is key.

    Final Thoughts

    As podcasters, we want to create the best possible experience for our listeners. For some, that might mean sticking to audio. But for others, embracing video—especially on YouTube—could open new doors for discovery and engagement.

    The bottom line? Experiment. See what works for you and your audience. Video may not be the future for every podcaster, but it’s certainly worth exploring.

One Comment

Join the Discussion